In the gap that is supposed to be crazy, dyed always of some spontaneity and irony, residesthe “irracional metamorphosis” of the set of works that forms the series Cartoon manipulation. A collection of animals genetically manipulated and torn apart, broken like only the cartoons can be broken, that jump, run and move in their apparent childhood universes. I establish, in the method, a relation (tense and harmonic in the same time) in the middle of two different universes visuals that certify the triumph of the fragment and the collage between the story esthetic postmodern.