From the appropriation and subsequent manipulation of diverse iconography based on the popular imagination, Mincemeat presents a sample of realities while allowing himself to be seduced by fiction. A story that not only takes into account the objects of the prodigy, but also the subjects of admiration and amazement, and even those of visceral rejection and disgust.

The paintings that make up this series star in a “Horror vacui” contemporary of everything that cannot be, that exists and does not exist at the same time, that scares and seduces us, has us and entertains us, pushing us to imagine other worlds different from our own.